August 17, 2007

Apple’s Jobs Calls for End for DRM-Encoded Music

Tuesday’s essay addressed the actions of consumer groups in Europe, which have called on Apple to open up its “FairPlay” digital-rights-management (DRM) system to allow consumers to back up legally protected music on other devices. Instead, Jobs encouraged those groups to ask the labels to remove their requirements for digitally protected files.

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“Imagine a world where every online store sells DRM-free music encoded in open licensable formats,” Jobs wrote. “In such a world, any player can play music purchased from any store, and any store can sell music which is playable on all players. This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat.”

According to Jobs, DRM has been a failure, for two reasons: first, due to the actions of a small group of hackers, the protections surrounding protected music – FairPlay and other systems – have been defeated. A key provision of Apple’s licensing agreements with the music companies has been that if its DRM system is compromised and music becomes playable on unauthorized devices, Apple has only a small number of weeks to fix the problem or the labels can withdraw their entire music catalog from the iTunes store, Jobs wrote.

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What will consumers do when they finally give up? Pirate, the MPAA has acknowledged.

Second, Jobs wrote, the CD itself has been entirely unprotected, providing an unimpeded flow of potentially pirated songs which can flow straight to the Internet. He did not address various rights-protection systems which have been placed upon the CD, such as the infamous “rootkit” DRM scheme used by Sony.

“The simplest answer is because DRMs haven’t worked, and may never work, to halt music piracy,” Jobs wrote. “Though the big four music companies require that all their music sold online be protected with DRMs, these same music companies continue to sell billions of CDs a year which contain completely unprotected music.”

The 6 Most Over-Hyped Threats to America (And What Should Scare You Instead)

Dilated Peoples: The Release Party
Dilated Peoples: The Release Party
“The Release Party is 10 years in the making. Follow Evidence, Rakaa (Iriscience) and Babu as captured by long time friend and collaborator Jason Goldwatch. Witness first hand, the ups and downs of the music industry through the eyes of a band. How did the “anti-everything”, left-of-center group end up on a major label? What got them there? And finally, what freed them from the major label system. Dilated Peoples spills their guts and takes it back to basics, once again breathing new life into Independent Hip-Hop.” DVD also features all Dilated Peoples music videos, bonus content and live concert, plus a bonus 7-track audio CD.
DVD: 
Color, DVD-Video, NTSCAll Dilated Peoples music videos, Bonus content, Live Concert, Bonus CD with 7 audio tracks, including remixes

Company:  
(2007)

List Price: 
Amazon Price: $10.99

Local musician plays to promote CD release - Summit Daily News

panurge_citytv_cd_release_hi.wmv
LO CITY TV CD RELEASE - MARCH 2004 MEDIA PLAYER HI LO QUICKTIME HI

Devon Sproule

New Cure Album Shifts From Fall To Next Spring

Music Industry Hopes for, Yet Fears, iPhone Effect

Sales of CDs, still the dominant music format, have dropped more than 20 percent in 2007 from a year ago, according to Nielsen Soundscan. Digital music sales are gradually claiming a greater portion of the business, but the transition has been slow. Sales of full-length songs on cellphones still claim a small portion of the market.

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Some executives say the iPhone could speed up that trend after the device’s U.S. launch on Friday, if the much wider base of consumers who own cell phones see the phone as a music machine.

“It is going to change the way people think about their mobile from being a fringe portable entertainment device to everyone recognizing that this is a really desirable mainstream device,” said Barney Wragg, global head of digital for EMI Group’s recorded music unit, the world’s third-largest record company.

That view is tempered by concerns over Apple’s increasing power base in digital music sales, which rose more than 50 percent in the first quarter, according to Nielsen Soundscan. The total U.S. music market slimmed to about $11.5 billion in 2006, according to music trade body Recording Industry Association of America.

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“Ironically, the iPhone comes at a time when the music industry would like to see a stronger player other than Apple,” says Michael Gartenberg, analyst at JupiterResearch.

Apple’s iTunes Music Store, which sells only digital music on line, has risen to third place among music retailers overall with around 10 percent of sales in the United States, behind Wal-Mart Stores Inc. and Best Buy Co Inc., according to NPD Group. The company’s iPod device also accounts for nearly 80 percent of the market for digital music players.

AT&T, eMusic Launch Mobile Music Service

The new service lets AT&T customers preview and purchase music directly from their handsets, with access to an estimated catalog of 2.7 million OTA (over-the-air) tracks. That makes it the largest wireless music catalog available, according to eMusic. Once a subscriber purchases a song, it’s downloaded directly to the cell phone. Meanwhile, a duplicate copy is also available for downloading to a user’s PC later on.

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The announcement also marks the first time AT&T is offering an over-the-air music download service. Its existing AT&T Mobile Music (formerly Cingular Music ) service let users purchase music online from Yahoo! or Napster, download the files to their PCs, and then “side-load” them to compatible AT&T handsets.

However, there’s a twist: with the new eMusic Mobile service, users don’t buy tracks on an individual basis. They also don’t subscribe to the service and rent access to the entire catalog, a la Napster-To-Go. Instead, the eMusic Mobile service charges $7.49 per month for a subscription; once subscribed, a user can download any five DRM-free tracks in MP3 format from the full catalog.

If a subscriber wants to download more than five songs in any given month, additional booster packs of five songs are available for $7.49 each. Unfortunately, AT&T customers cannot purchase the booster packs ad hoc; they need to subscribe to the service for the base fee of $7.49 per month before they can purchase booster packs.

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eMusic said in a statement that eMusic Mobile will be initially available on “some of AT&T’s most robust music devices,” including the Samsung a717, a727, a new version of the Samsung SYNC, and the Nokia N75. Users of these phones can click the music note key, choose Shop Music and then select eMusic from the on-screen menu.

Spring Gun. Saturday. CD Release Show.

2006 August « >>just like music

The ambiguous and unofficial release of Damon s new strictly vinyl-only secret single of Born In The UK has… onwards.
Before the full album is released on 16th October, the first proper single release… the previously limited Polish release of 1958 Breaks can now be found as a bonus disc with their latest… now with the original and short version of 1958, as featured on the 2004 Zentertainment sampler CD

Fri, 17 Aug 2007 15:14:45 GMT

Disney Music Label Offers New CD Format

Hollywood Records on Wednesday unveiled its new CDVU+ (CD View Plus) format with digital magazine extras, song lyrics, band photos and other extras to boost fan loyalty.

The new format also replaces the traditional CD booklet and plastic jewel case with recyclable packaging.

Teen punk band Jonas Brothers will be the first act to use the technology when they release their self-titled album on August 7.

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Music companies have been seeking new ways to give buyers more value from recorded music sales in hopes of turning around declining sales trends of regular CDs.

U.S. CD sales were down nearly 20 percent in the first half of 2007 as more young buyers digitally download music and piracy runs rampant.

Disney executives hope to hold the interest of fans by offering content similar to the extras on movie DVDs and convince them that pure music products still offer good value.

Recorded music is also competing with video games and other forms of entertainment for a share of consumers’ disposable income.

The content on a CDVU+ can be downloaded and accessed online and off. The label said the extra content had been produced for the new format rather than using the band’s outtakes or widely available material, such as existing music videos.

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“We really believe if you’re going to give consumers what they want, we should do it in a way they’re used to,” said Ken Bunt, Hollywood Records’ senior vice president of marketing.

Hollywood Records is a label within Disney Music Group, which last year had the two biggest selling CDs in the U.S., the High School Musical soundtrack and country singer Rascal Flatts’ “Me And My Gang.”

Chez Nous

Springsteen, E Street Band to reunite - Music News & Trends - BostonHerald.com
CD expected 02-OCT

Jobs Tops List of Online Music "Powergeeks"

The magazine’s “Powergeek 25″ list was compiled to show the behind-scenes-players reshaping the way people listen to, buy and watch music.

Music fans spend much of their day, if not their life, sitting in front of their computer, discovering and downloading music,” Blender’s editor-in-chief Craig Marks said in a statement.

“Today’s power brokers no longer work in the steel-and-glass towers of the traditional record business; instead, they’re tech geeks, bedroom bloggers and Silicon Valley visionaries.”

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