December 11, 2007
Singer-songwriter Moore hosts CD-release party - The Daily Advertiser
Companies Fail to Block Music Threat
Two-thirds of IT managers polled said they do not block employees from taking music off the Web, even though they named it as the biggest threat.
In a poll of more than 1,000 computer managers by ICM, music came top of the list of perceived threats.
If music be the food of health. . .
Oliver Sacks is a famed neurologist whose books of case studies combine the latest neuroscience with deep humanistic learning. He not only describes his patients with great precision, but also seeks to enter empathically into their experience and then, by means of limpid prose, to communicate it to the general reader. Ever since the publication of his book Awakenings, about patients with encephalitis lethargica who were recalled to life by the drug levodopa after decades of immobility, he has deservedly found a large and appreciative audience. He has had many imitators but no equals.
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Case studies are not favoured in contemporary medical literature as they once were. True, medical journals such as the famed New England Journal of Medicine carry case reports of rare diseases or unusual presentations; but after a brief summary of the patient’s symptoms, there follows a vast array of hi-tech laboratory and imaging data, ending with a triumphantly clever diagnosis (even if it is made only at post mortem). In these case reports, the patient seems almost to have only a walk-on part.
His job is to provide brilliant and erudite doctors with an opportunity to display their arcane erudition.
While Sacks is perfectly au fait with the latest research, and is no enemy of technological brio, he also belongs to an older and more leisurely medical tradition, namely that of very detailed history-taking and analysis of what the patient says about his own experiences of his condition. His case histories sometimes read like those of the 19th-century French psychiatrists, who are now largely forgotten, but who not only wrote most beautifully, elegantly and clearly, but were also masters of the art of finding significance in seeming trifles.
In his latest book, Sacks turns his attention to the neurology and pathology of music (it comes as no surprise to learn that he himself is something of a pianist, and plays Chopin on his father’s 1894 Bechstein grand). He provides us with large numbers of case histories drawn from his immense clinical experience. He does not really have an overall thesis to propound, except the rather weak one that a liking for music seems to be inborn in man and in no other species; instead, we learn of all the neurological vicissitudes to which the musical faculty is subject.
Musicophilia is more fragmented than Sacks’s other books, but it still contains much to instruct, fascinate and amuse.
Kirk Franklin’s new mission: finding gospel’s next superstar and boosting the music’s appeal
[ILLUSTRATION OMITTED]
Franklin is the host of the new talent search show that promises to find the next top gospel singer in the country.
“We all have heard … that the real good singers are n the church, Franklin says. “Now, this is a chance to showcase that and show that it is a reality. “Sunday Best” is our opportunity to celebrate our own.”
He points out that “the majority of African-American talent originates in the church. Your Whitneys, your Mariahs, your Mary Js, they all started in church choirs.”
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Franklin revolutionized gospel with his hip, contemporary sound when he arrived on the scene in 1993 with his smash The Reason Why We Sing. He remains on a passionate mission to spread “good news” music–the Bible set to music–to as many people as possible.
“It’s all about spreading love through the words of the Lord.”

