May 28, 2008

Murphy’s Saloon Blues Podcast #124 - Back From The Delta

PDX Pop Now! CD release show - Oregonian
Loads of PDX Pop Now! news these days. Hot on the heels of their compilation tracklisting announcement and their day at Parkrose Middle School comes the announcement of their CD release party, the proceeds of which will go to the free, all-ages …

Wed, 28 May 2008 19:49:00 GMT

Open Question: Fans of Lily Allen/Kate Nash or other “girl music.” Answer me this =]?

FEDORA LINUX 9 - NEW 6 CD PACK RELEASE - L@@@k ======
US $0.99 (0 Bid) End Date: Wednesday May-28-2008 17:31:27 PDTBid now | Add to watch list

Tue, 27 May 2008 17:31:27 PDT
What the Thunder Said
WHAT HAVE WE GIVEN? MY FRIEND, BLOOD SHAKING MY HEART Masayuki Takayanagi New Direction Unit April Is the Cruelest Month Kojima : 1975 MT, guitar; Kenji Mori, alto sax, flute, bass clarinet; Nobuyoshi Ino, bass, cello; Hiroshi Yamazaki, percussion. WHAT IFS: This most obscure Japanese album almost had a high profile in the U.S. It was originally scheduled to be released stateside by ESP Records, but the deal went south at the last minute. One can only speculate how this remarkably forward-looking work might have influenced the scene if only it had been heard. Years later, this music had another brush with wider exposure. What Have We Given? was originally slated to appear on Jazz Satelites 2, but Virgin pulled the plug on the project even as the artwork was being readied by the printer. A BUNCH OF LOSERS Famous assessment by Takayanagi of his peers in Japans jazz community, circa the mid-60s. Takayanagi started playing jazz in the 1950s in swing bands. At the age of 37, he discovered free jazz, formed his New Direction Unit, and pushed his music into the stratosphere. Both a technical virtuososo and a creative maverick, he was one of the earliest noise guitar improvisers anywhere in the world. Not to mention one of the most significant. PROTO-INDUSTRIAL AMBIANCE: What Have We Given? features plangent and beseeching saxophone squawks against a clanking undercarriage of unsettling rhythms. Theres not so much a definitive beginning, middle, or end as the feeling that the sounds simply enter your speakers and later exit. That indeterminate vibe. This is one of Takayanagis more compact and controlled offerings, but hardly pop. And despite the presence of guitar, its about as far from rock or fusion as possible. It has more in common with the Free Improv music from Europe at the time, though mixed with an abrasive early 80s Industrial feel, avant la lettre. If Takayanagis playing here recalls Derek Bailey, its important to remember their styles developed simulataneously without any apparent influence on one another. This track nicely represents one side of Takayanagis work, sometimes called gradual projection for how the pieces slowly emerge, the notes patiently accreting, almost ambiantly making their presence felt. HENDRIX THROUGH A MEAT-GRINDER: Heres the other side of Takayanagi. One of his most ferocious blowouts, My Friend, Blood Shaking My Heart should be legendary among shredders and free rock noiseniks. A sustained sonata of radical amp destruction, it ranks up there with such stratospheric works of extremity as Dave Burrells Echo. Its not proto-noise, kids, but straight up NOISE. A whirlwind of atonality that suspends any sense of passing time. You can hear more than mere echoes of this free jazz/free rock/assault-and-battery in the best work of Keiji Hainos Fushitshusha, especially their legendary double live effort. GO BUY IT: A few copies of the CD reissue (which includes bonus tracks) may still be available through Jinya Disc - grab one now! INTERESTING SIDE NOTE: Theres some speculation the album title isnt a reference to T. S. Eliots modernist poetic touchstone The Wasteland as much as the infamous Eliot-inspired musical Wasteland!, briefly produced in Tokyo by dadaist theatre impressario and movie director Shuji Terayama in the early 1970s. April is the Cruelest Month was the show-stopping number, complete with a kick-line of chorus girls. It was apparently met with hails of riceballs. MORE ABOUT TAKAYANAGI:Discography

Tue, 27 May 2008 12:15:46 EDT

TYE TRIBBETT TAKES A STAND: The Greater Anointing founder’s new CD … - Eurweb.com

Vocalist-Songwriter-Musician-Producer Sonya Kahn Releases NEW BEGINNING
If music is the Universal language, Independent Artist Sonya Kahn’s new music CD, NEW BEGINNING will translate worldwide to anyone who truly believes in living life to the fullest. Coming to America…

Tue, 27 May 2008 10:58:45 EDT

The Golden Compass [Blu-ray]

Chair and Microphone, Vol. 3 Released!

Here is an intro clip into our latest album release, Chair and Microphone, Vol. 3 featuring Karla Adolphe. “You Are Mine” is featured. Go to www.entertheworshipcircle.com for more!

Author: worshipcirclerecords
Keywords: karla adolphe folk singer songwriter worship circle chair and microphone ben pasley
Added: May 28, 2008

Wed, 28 May 2008 07:56:27 -0700
Daddy Kae & Yvonne - Eleven Commandments of Woman
Example Daddy Kae Williams Sr. Example Listen - Daddy Kae & Yvonne - Eleven Commandments of Woman - MP33 Greetings all. The weather in NJ is again (however briefly) on the upswing, with the sun shining after a couple of days of torrential wind and rain. I had to take a day off from work today, though most of it was spent taking care of important family business. As luck would have it, I managed to squeeze in a couple of hours of “me” time in the afternoon and completely unexpectedly ended up doing a little digging. I say unexpectedly because although I planned to hit a ‘music’ store that I hadn’t been to in a while, I had no idea that they had started to stock vinyl again. Nothing major mind you, but just enough to keep me busy for an hour. The strange thing is that this is a store that has been around in one for or another for well over 30 years. Back in the day it used to inhabit a small storefront with the front 8% of the store devoted to records, and the back 20% (behind a curtain no less) set aside for what became euphemistically known as “smoking supplies” or pre-euphemism as a head shop. This was in fact the first head shop I ever saw, filled with ornate glass bongs and a display case filled with pipes, screens, roach clips and a wide variety of rolling papers. A few years later, this store bought out the neighboring buildings and underwent a huge expansion becoming not just a record store, but bringing in a huge stock of musical instruments. When a music store more to my personal tastes opened up – the first store never having been my number one “go to” location anyway – I ended up patronizing this store less and less, eventually staying away long enough that I was shocked when I came back and discovered that they had rolled back their expansion, eventually moving to a much smaller location across the street. Though I’m not privy to the individual economic situation of the business owners, I do know that this move coincided with what amounted to a major gentrification/upscaling of the shopping district where the store was located. I found myself wanting to spend part of my extremely rare free afternoon going to this store because even though I expected no vinyl, they did stock a very wide and interesting selection on CD, including jazz, country, world music and independent rock (as well as video), so at the very least I’d find something new and interesting to listen to, after which I’d drag my iPod and current book to the nearest overpriced coffee house and kill an hour or so until I had to go pick up the fam. That I walked through the back door of this store and found bins of LPs (all priced around $2.00), and inside those bins a pretty nice selection of rock and pop records (as well as a ton of crap, but that’s pretty much the deal anywhere used records are dispensed) was a very pleasant surprise, and perhaps a bit of what I’ve heard referred to as “record karma”. That said, I walked out of the store with a dozen albums, a CD and a DVD (reissue of the old ‘Krazy Kat’ cartoons, very cool) and a bounce in my step. Anyway…. The 45 I bring you today is a disc I picked up off of a set sale list a while back, based solely on the label. I’ve always been a big fan of Philly soul, and if there’s one label from that town that I always grab it’s the minor (yet occasionally major) imprint, Fairmount. Named for the citys Fairmount Park , the label’s brief discography (stretching over only a few years) includes a number of winners (Gene Waiters, Bonnie and Lee, Lonnie Youngblood), as well as early or uncharacteristic records by the likes of King Coleman, Shirley Vaughn and Frankie Beverly. All this and the fact that the later releases on Fairmount are pressed with one of my all-time favorite label designs (see above). So when a Fairmount side by an artist that I knew nothing about popped up at a bargain price I picked it up right away. When it popped through the mail slot and onto the turntable it was immediately evident that ‘Eleven Commandments of Woman’ by Daddy Kae & Yvonne was an “answer record” to Prince Buster’s minor 1967 hit* ‘The Ten Commandments’, one of the earlier Jamaican records to make it onto the US charts. When I scanned the label, none of the available information rang a bell, but then again that’s why Google is our friend. A brief search therein proved fruitful. Daddy Kae was in fact Kae Williams Sr., a pioneering Philadelphia disc jockey working over the years at both WHAT and WDAS. Williams was also a talent scout who played a part in the careers of both Solomon Burke and Don Gardner among others**. Another group he worked with was the Sensations, which included in its ranks a vocalist named Yvonne Baker (as in Daddy Kae & Yvonne). How Daddy Kae Williams went from mentoring performers to becoming one himself I do not know, though there were certainly plenty of other examples of air personalities finding their way into the studio to make records of their own. ‘Eleven Commandments of Woman’ is composed of a recitation thereof by Yvonne (with commentary from Daddy Kae) over a soulful backing (which appears on the b-side of the record as the instrumental ‘Shug’. As novelty cash-ins go, it’s a winner. I hope you dig it. If you haven’t dropped by The Right Side of Funky to check out my guest mix, do so. I’ll see you later in the week. Peace Larry *Top 40 in a few markets, Top 100 in others **Williams apparently helped out a young promotion man (as well as musician, producer and co-owner of the legendary Harthon label) named Weldon McDougal, whos plug sticker just happens to be affixed to the label above. PSS Head over to Iron Leg for a fuzzed out tune by Paul Revere & the Raiders.

Tue, 13 May 2008 22:52:54 EDT

Open Question: Whats the new song by linkin park i hear on the radio that hasn’t been released yet?

answers.yahoo.com/question/index?qid=20080527221208AAyJzv8
‘, ‘News’, ‘directories=no, menubar=no, scrollbars=yes, status=no, toolbar=yes, resizable=yes, width=780, height=550′);return false;”>Open Question: Whats the new song by linkin park i hear on the radio that hasn’t been released yet?
Its not on the minutes to midnight cd either. I think its on their new cd that hasn’t came out yet.

Wed, 28 May 2008 05:12:08 GMT